

It does mean that the Yamanote Line on Sergio’s map takes a slightly wobbly path (I’m not entirely convinced by the detour it takes around Shibuya), but I think it’s a decent trade-off.

Most other Tokyo maps I see use the Yamanote Line for this purpose (which make sense as it encircles the city) but this can often make the central part of the map seem too cramped. Sergio’s is a particularly handsome effort, though perhaps with a few usability/design issues.įirst off, I really like the way that Sergio has used the Toei Oedo Line as his main compositional element, forming a lovely distinctive symmetrical shape in the middle of the diagram that everything else relates to in much the same way that the London Underground diagram uses the Circle Line, which even forms a similar “thermos flask” shape. Like the London Underground and the New York Subway, making an unofficial map or diagram of Tokyo’s rail network is almost an obligatory rite of a passage for budding designers (perhaps even more so than the other two, because there’s no one “definitive version” of Tokyo’s map). In the end I even put the Chuo Sobu Line from a recommendation a Japanese person made to my design. I chose to design a map that includes both Tokyo Metro and Toei Metro, as well as one of the main train lines and the Shinkansen services that arrive to the city. So I always wanted to design a diagram for Tokyo, but since it’s so complex I’d postponed it several times until one week that I had nothing to do I started tackling it from scratch, using pen and paper before moving to Affinity Designer.
